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Movie basic details
Current status - Released
Total runtime - 135 mins.
Release date - 28-08-2020
Release year - 2020
Genres - Drama, Fantasy, Mystery, Thriller
Overall ratings and scores for I'm Thinking of Ending Things:
Happiness Score - 6.637/10, World Popularity Score - 16.057/100, IMDB Score - 6.6, Metascore - 78, Internet Movie Database - 6.6/10, Rotten Tomatoes - 82%, Metacritic - 78/100, .
I'm Thinking of Ending Things movie has Total Global Votes - 1454, Total IMD Votes - 83,726
I'm Thinking of Ending Things Movie Introduction: Movie I'm Thinking of Ending Things, release year 2020 is written by Charlie Kaufman, Iain Reid and directed by Charlie Kaufman. The leading star-cast in this movie are Jesse Plemons, Jessie Buckley, Toni Collette along with the other stars and crew members.
Trailers, Clips, Featurettes and Behind the Scenes
Movie overview and plot by Anagha Shashank
Movie in-short: Full of misgivings, a young woman travels with her new boyfriend to his parents' secluded farm. Upon arriving, she comes to question everything she thought she knew about him, and herself.
Movie story-line: Nothing is as it seems when a woman experiencing misgivings about her new boyfriend joins him on a road trip to meet his parents at their remote farm.
Movie synopsis: Despite second thoughts about their relationship, a young woman (Jessie Buckley) takes a road trip with her new boyfriend (Jesse Plemons) to his family farm. Trapped at the farm during a snowstorm with Jake's mother (Toni Collette) and father (David Thewlis), the young woman begins to question the nature of everything she knew or understood about her boyfriend, herself, and the world. An exploration of regret, longing and the fragility of the human spirit, I'M THINKING OF ENDING THINGS is directed and written by Academy Award® winner Charlie Kaufman (Eternal Sunshine of the Spotless Mind). Inspired by Iain Reid's bestselling namesake novel.
Highlights - I'm Thinking of Ending Things (2020)
Total budget - $0.00
Total revenue - $0.00
Produced by - Likely StoryProjective Testing Service
Produced in - United States of America
Available languages - English (English),
Homepage URL - http://www.netflix.com/title/80211559
Awards won / Nominations - 14 wins & 111 nominations
Certificate(s) - DE : 12 SG : NC16 ES : 12 KR : 18 US : R US : R BR : 15 GB : 15 PT : R
Lead Actors, Writer(s), Director(s) of I'm Thinking of Ending Things (2020)
Lead Actors - Jesse Plemons, Jessie Buckley, Toni Collette
Writer(s) - Charlie Kaufman, Iain Reid
Director(s) - Charlie Kaufman
Frequently Asked Questions(FAQ) about I'm Thinking of Ending Things (2020)
What is the release date of I'm Thinking of Ending Things (2020)?
Release date of I'm Thinking of Ending Things (2020) is 28-08-2020.
What is the total runtime of I'm Thinking of Ending Things (2020) in minutes?
Total runtime of I'm Thinking of Ending Things (2020) in minutes is 134 min.
What is the budget consumed to produce I'm Thinking of Ending Things (2020) movie?
The budget consumed to produce I'm Thinking of Ending Things (2020) movie is around $0.00.
How much revenue is expected from movie I'm Thinking of Ending Things (2020)?
Expected revenue from movie movie I'm Thinking of Ending Things (2020) is around $0.00.
What is the pupularity of I'm Thinking of Ending Things (2020)?
Worldwide pupularity of I'm Thinking of Ending Things (2020) movie is 16.057%.
What is the name of the production company of film I'm Thinking of Ending Things (2020)?
Production company of film I'm Thinking of Ending Things (2020) is/are Likely Story, Projective Testing Service, .
Which country the film I'm Thinking of Ending Things (2020) is produced in?
Film production country for the film I'm Thinking of Ending Things (2020) is United States of America, .
Which language the film I'm Thinking of Ending Things (2020) is produced in?
Film I'm Thinking of Ending Things (2020) is produced in English (English), language(s).
Which Genre the film I'm Thinking of Ending Things (2020) belongs to?
Movie I'm Thinking of Ending Things (2020) is categorized under Drama, Thriller genre(s).
Who are the lead actors of the film I'm Thinking of Ending Things (2020)?
Lead actors of the film I'm Thinking of Ending Things (2020) are Jesse Plemons, Jessie Buckley, Toni Collette.
Who is the writer of the film I'm Thinking of Ending Things (2020)?
The writer(s) of the film I'm Thinking of Ending Things (2020) is/are Charlie Kaufman, Iain Reid.
Who is the director of the film I'm Thinking of Ending Things (2020)?
The director(s) of the film I'm Thinking of Ending Things (2020) is/are Charlie Kaufman.
Which awards, nominations and recognitions are won by I'm Thinking of Ending Things (2020) movie?
Movie I'm Thinking of Ending Things (2020) has 14 wins & 111 nominations awards and nomination in it's profile.
What is the story of I'm Thinking of Ending Things (2020) in-short?
Short plot of movie I'm Thinking of Ending Things (2020): Full of misgivings, a young woman travels with her new boyfriend to his parents' secluded farm. Upon arriving, she comes to question everything she thought she knew about him, and herself..
What is the full story of I'm Thinking of Ending Things (2020) movie?
Full plot of movie I'm Thinking of Ending Things (2020): Despite second thoughts about their relationship, a young woman (Jessie Buckley) takes a road trip with her new boyfriend (Jesse Plemons) to his family farm. Trapped at the farm during a snowstorm with Jake's mother (Toni Collette) and father (David Thewlis), the young woman begins to question the nature of everything she knew or understood about her boyfriend, herself, and the world. An exploration of regret, longing and the fragility of the human spirit, I'M THINKING OF ENDING THINGS is directed and written by Academy Award® winner Charlie Kaufman (Eternal Sunshine of the Spotless Mind). Inspired by Iain Reid's bestselling namesake novel..
Where to find full details of I'm Thinking of Ending Things (2020) movie?
You can find the full details of movie I'm Thinking of Ending Things (2020) at https://www.imdb.com/title/tt7939766
Where to stream or watch movie I'm Thinking of Ending Things (2020) online?
You can stream or watch online movie I'm Thinking of Ending Things (2020) on Netflix, .
List of full Starcast and crew members of I'm Thinking of Ending Things (2020)
Full Starcast:
Name: Jesse Plemons
Character: JakeName: Jessie Buckley
Character: Young WomanName: Toni Collette
Character: MotherName: David Thewlis
Character: FatherName: Guy Boyd
Character: JanitorName: Hadley Robinson
Character: Laurey / Tulsey Town Girl 1Name: Gus Birney
Character: Aunt Eller / Tulsey Town Girl 2Name: Abby Quinn
Character: Tulsey Town Girl 3Name: Colby Minifie
Character: YvonneName: Anthony Grasso
Character: Diner ManagerName: Teddy Coluca
Character: Diner CostumerName: Jason Ralph
Character: Yvonne's BoyfriendName: Oliver Platt
Character: The Voice (voice)Name: Frederick E. Wodlin
Character: Dancing JanitorName: Ryan Steele
Character: Dancing JakeName: Unity Phelan
Character: Dancing Young WomanName: Norman Aaronson
Character: Diner Patron (uncredited)Name: Ashlyn Alessi
Character: Audience Member (uncredited)Name: Monica Ayres
Character: Old Woman (uncredited)Name: Dj Nino Carta
Character: Saxophone Player (uncredited)Name: Julie Chateauvert
Character: Diner Customer (uncredited)Name: Ira Temchin
Character: Diner Patron (uncredited)Name: Albert Skowronski
Character: Diner Customer (uncredited)Name: Kamran Saliani
Character: High School Student (uncredited)Name: Dannielle Rose
Character: Diner Customer (uncredited)Name: Thomas Hatz
Character: High School Student (uncredited)Name: Brooke Elardo
Character: High School Student (uncredited)
Crew Members:
Name: Robert Zemeckis
Department: Crew
Job/Role: ThanksName: Charlie Kaufman
Department: Writing
Job/Role: ScreenplayName: Charlie Kaufman
Department: Directing
Job/Role: DirectorName: Charlie Kaufman
Department: Production
Job/Role: ProducerName: Anthony Bregman
Department: Production
Job/Role: ProducerName: Jeanne McCarthy
Department: Production
Job/Role: CastingName: Robert Salerno
Department: Production
Job/Role: ProducerName: Robert Salerno
Department: Directing
Job/Role: Second Unit DirectorName: Molly Hughes
Department: Art
Job/Role: Production DesignName: Melissa Toth
Department: Costume & Make-Up
Job/Role: Costume DesignName: Robert Frazen
Department: Editing
Job/Role: EditorName: Lewis Goldstein
Department: Sound
Job/Role: Supervising Sound EditorName: Lewis Goldstein
Department: Sound
Job/Role: Sound Re-Recording MixerName: Don H. Julien
Department: Crew
Job/Role: Second UnitName: Stefanie Azpiazu
Department: Production
Job/Role: ProducerName: Dawn Mountain
Department: Production
Job/Role: Production SupervisorName: Duke Johnson
Department: Visual Effects
Job/Role: Animation Production AssistantName: Merissa Lombardo
Department: Art
Job/Role: Supervising Art DirectorName: Claire Kirk
Department: Production
Job/Role: Production ManagerName: Diane Andazola
Department: Crew
Job/Role: Scenic ArtistName: Kelly E. Marlow
Department: Costume & Make-Up
Job/Role: Key Hair StylistName: Tom Ryan
Department: Sound
Job/Role: Supervising Sound EditorName: Lizzie Davies
Department: Costume & Make-Up
Job/Role: Key Makeup ArtistName: Gonzalo Cordoba
Department: Art
Job/Role: Art DirectionName: Alex Lemke
Department: Visual Effects
Job/Role: Visual Effects SupervisorName: Simón Wilches
Department: Visual Effects
Job/Role: Animation DirectorName: Gregory Zuk
Department: Production
Job/Role: Executive ProducerName: Sarah Hindsgaul
Department: Costume & Make-Up
Job/Role: Hair Department HeadName: Susan Antonelli
Department: Costume & Make-Up
Job/Role: Costume SupervisorName: Vico Sharabani
Department: Crew
Job/Role: ThanksName: Anouck Sullivan
Department: Costume & Make-Up
Job/Role: Makeup Department HeadName: Łukasz Żal
Department: Crew
Job/Role: CinematographyName: Alexis Wiscomb
Department: Crew
Job/Role: Post-Production ManagerName: Peter Cron
Department: Production
Job/Role: Executive ProducerName: Amy Lynn
Department: Directing
Job/Role: First Assistant DirectorName: Jay Wadley
Department: Sound
Job/Role: MusicName: Anna Lomakina
Department: Directing
Job/Role: Script SupervisorName: Rori Bergman
Department: Production
Job/Role: CastingName: Jerry Stein
Department: Sound
Job/Role: Sound MixerName: Rosa Tran
Department: Visual Effects
Job/Role: Animation Production AssistantName: Adam Bailey
Department: Costume & Make-Up
Job/Role: Special Effects Makeup ArtistName: Bridget Fullan
Department: Visual Effects
Job/Role: Visual EffectsName: Leah Reingewirtz
Department: Art
Job/Role: Location ScoutName: Samantha Wiener
Department: Costume & Make-Up
Job/Role: Hair Department HeadName: Matthew Crothamel
Department: Art
Job/Role: PropsName: Adelina Atashi
Department: Costume & Make-Up
Job/Role: Makeup ArtistName: Navya La Shay
Department: Costume & Make-Up
Job/Role: Makeup Department HeadName: Susie Bua
Department: Costume & Make-Up
Job/Role: Makeup ArtistName: Iain Reid
Department: Writing
Job/Role: NovelName: Iain Reid
Department: Production
Job/Role: Co-ProducerName: Raffaello Vignoli
Department: Production
Job/Role: Production SupervisorName: Liz Flood
Department: Art
Job/Role: Art Department CoordinatorName: Mattie Siegal
Department: Art
Job/Role: Set DecorationName: Mike Reiersen
Department: Directing
Job/Role: Second Assistant DirectorName: Mollie Ong
Department: Visual Effects
Job/Role: Animation DirectorName: Jillian Fisher
Department: Art
Job/Role: Location ScoutName: Stella Bouzakis
Department: Costume & Make-Up
Job/Role: Makeup ArtistName: Matt Levin
Department: Production
Job/Role: Executive ProducerName: Eric Mancha
Department: Visual Effects
Job/Role: Visual EffectsName: Kathleen Riley
Department: Costume & Make-Up
Job/Role: Hair Department HeadName: Kyle Casper
Department: Directing
Job/Role: Additional Second Assistant DirectorName: Forrest Viola
Department: Directing
Job/Role: Second Assistant DirectorName: Vinita Bakhale
Department: Art
Job/Role: Graphic DesignerName: Yuan-Li Chiao
Department: Visual Effects
Job/Role: AnimationName: Peter Steffan
Department: Visual Effects
Job/Role: Visual EffectsName: Adham Helwani
Department: Art
Job/Role: Set Dresser
Reviews Section
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https//www.msbreviews.com Charlie Kaufman is undeniably one of the greatest writers of the 2000s. Being John Malkovich and Eternal Sunshine of the Spotless Mind are some of his most notable works, but it’s Synecdoche, New York that’s considered by many as one of the best films of the respective decade. Therefore, I was obviously excited about his return to live-action movies (since 2008, he’s only made the animated feature, Anomalisa). I’m Thinking of Ending Things boasts an incredibly talented cast, capable of seating me down and make me watch any film they participate in, even though Jessie Buckley (Dolittle) is sort of a new face to me. My expectations were moderately high, so how did it go? I’m not going to lie, I found this movie so intricate that I had a really hard time figuring it all out. As soon as it ended, I knew I didn’t understand it in full, which generated an unusual yet refreshing feeling inside me. I felt the need to not only think about the film all night but since I didn’t have the time to watch it again, I returned to a few specific scenes in the next morning. I also researched a bit and talked with a fellow critic to settle some of my mind’s internal debates. I write this to imply that this is not an easy movie to decipher, which will definitely throw some people off. It’s a film that requires all of the viewer’s attention and self-questioning capability. Otherwise, things will get complicated. As usual, I’m not sharing any spoilers, so I’ll keep my opinion about the story’s multiple interpretations to the bare minimum. Of all the numerous ways of explaining this movie, I found two: either from Jessie Buckley’s character’s perspective or from Jesse Plemons’. I like both for different reasons. In terms of logic, which every viewer will struggle to find, Plemons’ character is the key to understand the remarkably complex, multi-layered narrative. Looking at the film from his perspective, everything makes much more sense. However, it’s surprisingly from Buckley’s view that I find the movie’s message to be more interesting and likely to resonate with most people. Making an impactful move in life requires determination, courage, decisiveness. Moving to another country, switching jobs, ending a relationship… all can be extremely demanding and psychologically painful. I’m Thinking of Ending Things brilliantly demonstrates how one can delay these actions sometimes indefinitely. From the excruciatingly long car drives (almost an hour of the runtime is spent inside the car listening to the main characters debating apparently random philosophical themes) to the enigmatic transitions of time passing by, Kaufman’s screenplay keeps transmitting a message of how people are stationary and time just keeps flowing. This film takes ambiguousness and metaphoric filmmaking to a whole other level. Not only everything the viewer is seeing has, in some shape or form, a philosophical meaning, but the dialogues between the main characters are themselves about cultural, intellectual, sophisticated matters. Some of these conversations have an eventual impact in the narrative or in the characters, some just feel like Kaufman needed to express his thoughts on several subjects. With a runtime of slightly over two hours, this movie overstays its welcome a bit due to the insistence in delivering repetitive, similar scenes with the same goal. The time shenanigans performed in the parents’ house is undoubtedly intriguing, but it’s more distracting than helpful story-wise. Having in mind the already puzzling narrative, the confusion associated with understanding how time works only creates even more doubts. It also deviates the viewer’s attention from the real focus, which didn’t help my first viewing. In fact, I was so concentrated trying to comprehend the purpose behind the old-young versions of the characters that I completely lost track of the runtime, ultimately thinking the film was near its ending when it still had forty minutes to go… There’s a limit to how abstract and implicit a movie can be without becoming genuinely hard to understand, and Kaufman walks that threshold. Successful sometimes, not that much in other moments. Nevertheless, I can only share compliments from now on. Firstly, the cast. I’ve been in love with anything Toni Collette does since Hereditary, and once again, she’s weirdly captivating as an amusing yet disturbing mother. David Thewlis offers a subtler performance, as well as Jesse Plemons, even though the latter explodes with emotion in the third act. However, Jessie Buckley steals the spotlight in impeccable fashion. Like I mentioned in the beginning, I know very little of her as an actress, but I’ll make sure to add her to the list of “actresses to follow closely”. With one of the biggest emotional ranges seen this year, she delivers an incredibly captivating display, one that should guarantee her name in future contender’s list for the awards season. From citing entire poems to fiercely debating any topic thrown at her by Plemons, her commitment to the role is palpable. An astonishing performance that I will remember for a long time. However, it’s in the technical realm that this film achieves perfection. Without the shadow of a doubt, this is the best movie of the year when it comes to the technical attributes (until the date of this review, obviously). Almost every filmmaking element carries a tremendous impact in either the narrative or its characters. The purposefully rough editing (Robert Frazen) adds to the perplexing atmosphere. The lighting plus the production (Molly Hughes) and set design (Mattie Siegal) help identify “where” a particular event is happening. The detailed costume design (Melissa Toth) and the impressive makeup are vital to the understanding of everything that occurs in the parents’ house. The distinct cinematography (Łukasz Żal) elevates every single action performed by the characters. It’s a technically flawless film, and I wouldn’t be surprised to see it being nominated for several categories when the time comes. I’m Thinking of Ending Things might be a Netflix original movie, but it screams A24 all the way. From the incredibly perplexing narrative told through bizarre storytelling to its distinctly unconventional technical characteristics, Charlie Kaufman offers a remarkably complex film that can take different interpretations (and may require more than one viewing). His insistence in transmitting one of the film’s messages through never-ending philosophical conversations and confusing time-bending distractions stretch the story to an unnecessary long runtime that hurts the overall piece. Nevertheless, all messages are successfully delivered through an intriguing, head-scratching, weirdly captivating story packed with cultural debates and unique characters. An absolutely outstanding Jessie Buckley elevates every single line of dialogue, showing tremendous emotional range, but the impressively talented cast also improves the multi-layered screenplay. Technically, it is and it will remain as one of the best movies of the year. Every technical aspect is close to perfection, and almost all have a massive impact on the story and how the viewer interprets it. It will undoubtedly create a gap between critics and audiences since it has all the ingredients that usually place these groups at opposite extremes. I can only recommend it to people who are able to dedicate their full attention to what they’re watching while being capable of self-questioning. It’s not your usual Netflix flick to pop during tedious home tasks to help pass the time, so make sure you know what you're getting into! Rating: B
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https//www.msbreviews.com Charlie Kaufman is undeniably one of the greatest writers of the 2000s. Being John Malkovich and Eternal Sunshine of the Spotless Mind are some of his most notable works, but it’s Synecdoche, New York that’s considered by many as one of the best films of the respective decade. Therefore, I was obviously excited about his return to live-action movies (since 2008, he’s only made the animated feature, Anomalisa). I’m Thinking of Ending Things boasts an incredibly talented cast, capable of seating me down and make me watch any film they participate in, even though Jessie Buckley (Dolittle) is sort of a new face to me. My expectations were moderately high, so how did it go? I’m not going to lie, I found this movie so intricate that I had a really hard time figuring it all out. As soon as it ended, I knew I didn’t understand it in full, which generated an unusual yet refreshing feeling inside me. I felt the need to not only think about the film all night but since I didn’t have the time to watch it again, I returned to a few specific scenes in the next morning. I also researched a bit and talked with a fellow critic to settle some of my mind’s internal debates. I write this to imply that this is not an easy movie to decipher, which will definitely throw some people off. It’s a film that requires all of the viewer’s attention and self-questioning capability. Otherwise, things will get complicated. As usual, I’m not sharing any spoilers, so I’ll keep my opinion about the story’s multiple interpretations to the bare minimum. Of all the numerous ways of explaining this movie, I found two: either from Jessie Buckley’s character’s perspective or from Jesse Plemons’. I like both for different reasons. In terms of logic, which every viewer will struggle to find, Plemons’ character is the key to understand the remarkably complex, multi-layered narrative. Looking at the film from his perspective, everything makes much more sense. However, it’s surprisingly from Buckley’s view that I find the movie’s message to be more interesting and likely to resonate with most people. Making an impactful move in life requires determination, courage, decisiveness. Moving to another country, switching jobs, ending a relationship… all can be extremely demanding and psychologically painful. I’m Thinking of Ending Things brilliantly demonstrates how one can delay these actions sometimes indefinitely. From the excruciatingly long car drives (almost an hour of the runtime is spent inside the car listening to the main characters debating apparently random philosophical themes) to the enigmatic transitions of time passing by, Kaufman’s screenplay keeps transmitting a message of how people are stationary and time just keeps flowing. This film takes ambiguousness and metaphoric filmmaking to a whole other level. Not only everything the viewer is seeing has, in some shape or form, a philosophical meaning, but the dialogues between the main characters are themselves about cultural, intellectual, sophisticated matters. Some of these conversations have an eventual impact in the narrative or in the characters, some just feel like Kaufman needed to express his thoughts on several subjects. With a runtime of slightly over two hours, this movie overstays its welcome a bit due to the insistence in delivering repetitive, similar scenes with the same goal. The time shenanigans performed in the parents’ house is undoubtedly intriguing, but it’s more distracting than helpful story-wise. Having in mind the already puzzling narrative, the confusion associated with understanding how time works only creates even more doubts. It also deviates the viewer’s attention from the real focus, which didn’t help my first viewing. In fact, I was so concentrated trying to comprehend the purpose behind the old-young versions of the characters that I completely lost track of the runtime, ultimately thinking the film was near its ending when it still had forty minutes to go… There’s a limit to how abstract and implicit a movie can be without becoming genuinely hard to understand, and Kaufman walks that threshold. Successful sometimes, not that much in other moments. Nevertheless, I can only share compliments from now on. Firstly, the cast. I’ve been in love with anything Toni Collette does since Hereditary, and once again, she’s weirdly captivating as an amusing yet disturbing mother. David Thewlis offers a subtler performance, as well as Jesse Plemons, even though the latter explodes with emotion in the third act. However, Jessie Buckley steals the spotlight in impeccable fashion. Like I mentioned in the beginning, I know very little of her as an actress, but I’ll make sure to add her to the list of “actresses to follow closely”. With one of the biggest emotional ranges seen this year, she delivers an incredibly captivating display, one that should guarantee her name in future contender’s list for the awards season. From citing entire poems to fiercely debating any topic thrown at her by Plemons, her commitment to the role is palpable. An astonishing performance that I will remember for a long time. However, it’s in the technical realm that this film achieves perfection. Without the shadow of a doubt, this is the best movie of the year when it comes to the technical attributes (until the date of this review, obviously). Almost every filmmaking element carries a tremendous impact in either the narrative or its characters. The purposefully rough editing (Robert Frazen) adds to the perplexing atmosphere. The lighting plus the production (Molly Hughes) and set design (Mattie Siegal) help identify “where” a particular event is happening. The detailed costume design (Melissa Toth) and the impressive makeup are vital to the understanding of everything that occurs in the parents’ house. The distinct cinematography (Łukasz Żal) elevates every single action performed by the characters. It’s a technically flawless film, and I wouldn’t be surprised to see it being nominated for several categories when the time comes. I’m Thinking of Ending Things might be a Netflix original movie, but it screams A24 all the way. From the incredibly perplexing narrative told through bizarre storytelling to its distinctly unconventional technical characteristics, Charlie Kaufman offers a remarkably complex film that can take different interpretations (and may require more than one viewing). His insistence in transmitting one of the film’s messages through never-ending philosophical conversations and confusing time-bending distractions stretch the story to an unnecessary long runtime that hurts the overall piece. Nevertheless, all messages are successfully delivered through an intriguing, head-scratching, weirdly captivating story packed with cultural debates and unique characters. An absolutely outstanding Jessie Buckley elevates every single line of dialogue, showing tremendous emotional range, but the impressively talented cast also improves the multi-layered screenplay. Technically, it is and it will remain as one of the best movies of the year. Every technical aspect is close to perfection, and almost all have a massive impact on the story and how the viewer interprets it. It will undoubtedly create a gap between critics and audiences since it has all the ingredients that usually place these groups at opposite extremes. I can only recommend it to people who are able to dedicate their full attention to what they’re watching while being capable of self-questioning. It’s not your usual Netflix flick to pop during tedious home tasks to help pass the time, so make sure you know what you're getting into! Rating: B
I'll be honest, I didn't fully have a clue what was happening for large portions. Yet, I still weirdly enjoyed watching 'I’m Thinking of Ending Things'. I think the main reasons for that are the two leads: Jessie Buckley and Jesse Plemons. They kept everything feeling fresh and intriguing to me, both have their moments in this. Toni Collette and David Thewlis also do very well. I like the cast, for sure. As for the plot, it didn't do anything for me but it did keep me thinking which I appreciated. I, personally, would've preferred a shorter run time and clearer meaning - the latter is just me though, I'm sure others will adore the way the film is portrayed. Some other reviewers have put it perfectly in terms of matching me: not nous enough to 'get it', but it still comes across as a good film. I'm fine with that, each to their own as always.
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