Nightfall (1956)

January 6, 2023
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Nightfall (1956)    Listen Movie Details
Happiness Meter
6.938/10 69%
Average of Ratings
86%
World Popularity
0%
Internet Movie Database
72%
Rotten Tomatoes
100%
0.0
Rated 0.0 out of 5
0.0 out of 5 stars (based on 0 reviews)
Excellent0%
Very good0%
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Movie basic details

Current status - Released
Total runtime - 78 mins.
Release date - 09-11-1956
Release year - 1956
Genres - Crime, Drama, Romance, Thriller

Overall ratings and scores for Nightfall:
Happiness Score - 6.938/10, World Popularity Score - 4.833/100, IMDB Score - 7.2, Metascore - N/A, Internet Movie Database - 7.2/10, Rotten Tomatoes - 100%, .
Nightfall movie has Total Global Votes - 65, Total IMD Votes - 4,094

Nightfall Movie Introduction: Movie Nightfall, release year 1956 is written by Stirling Silliphant, David Goodis and directed by Jacques Tourneur. The leading star-cast in this movie are Aldo Ray, Anne Bancroft, Brian Keith along with the other stars and crew members.

Trailers, Clips, Featurettes and Behind the Scenes


Nightfall (1957) trailer

Movie overview and plot by

Movie in-short: Through a series of bizarre coincidences, an artist finds himself falsely accused of bank robbery and murder and is pursued by the authorities and the real killers.

Movie story-line: An innocent man turns fugitive as he reconstructs events that implicate him for a murder and robbery he did not commit.

Movie synopsis: There is money missing from a bank job, an attractive model, an insurance investigator, and two extremely dangerous thugs. James Vanning (Aldo Ray) portrays an innocent man on the run, being pursued by the criminals who stupidly misplaced their take from the crime and think he has it or knows where it is hidden. Add model Marie Gardner (Anne Bancroft) who crossed paths with nice guy Vanning, while he is on the run. This all adds up to a thriller wherein the viewer is drawn into the story and becomes part of the drama. When Marie says "things that really happen are difficult to explain" it captures the theme of this film. A nice girl helps a nice guy, who is innocent and is drawn into the drama. As tension mounts she says: "I am always meeting the wrong man, and it leads to doomed relationships." Marie inadvertently leads Vanning into the hands of the villains. However, she is a pseudo-femme fatale, innocently involved in the intrigue and, like the viewer, is gradually drawn into the plot. Beside one of the more chilling murder scenes for that era, the film has a three part flashback, which takes the viewer from a cityscape and menacing oil wells to the snow-covered plains of Wyoming and back to the streets of Hollywood. The interplay of high contrast images makes it worth seeing, but the story keeps the viewer engaged.

Highlights - Nightfall (1956)

Total budget - $0.00
Total revenue - $0.00
Produced by - Columbia PicturesCopa Productions
Produced in - United States of America
Available languages - English (English),
Homepage URL -
Awards won / Nominations - N/A
Certificate(s) - US : NR DE : 12

Lead Actors, Writer(s), Director(s) of Nightfall (1956)

Lead Actors - Aldo Ray, Anne Bancroft, Brian Keith
Writer(s) - Stirling Silliphant, David Goodis
Director(s) - Jacques Tourneur

Frequently Asked Questions(FAQ) about Nightfall (1956)

What is the release date of Nightfall (1956)?
Release date of Nightfall (1956) is 09-11-1956.


What is the total runtime of Nightfall (1956) in minutes?
Total runtime of Nightfall (1956) in minutes is 78 min.


What is the budget consumed to produce Nightfall (1956) movie?
The budget consumed to produce Nightfall (1956) movie is around $0.00.


How much revenue is expected from movie Nightfall (1956)?
Expected revenue from movie movie Nightfall (1956) is around $0.00.


What is the pupularity of Nightfall (1956)?
Worldwide pupularity of Nightfall (1956) movie is 4.833%.


What is the name of the production company of film Nightfall (1956)?
Production company of film Nightfall (1956) is/are Columbia Pictures, Copa Productions, .


Which country the film Nightfall (1956) is produced in?
Film production country for the film Nightfall (1956) is United States of America, .


Which language the film Nightfall (1956) is produced in?
Film Nightfall (1956) is produced in English (English), language(s).


Which Genre the film Nightfall (1956) belongs to?
Movie Nightfall (1956) is categorized under Crime, Drama, Film-Noir genre(s).


Who are the lead actors of the film Nightfall (1956)?
Lead actors of the film Nightfall (1956) are Aldo Ray, Anne Bancroft, Brian Keith.


Who is the writer of the film Nightfall (1956)?
The writer(s) of the film Nightfall (1956) is/are Stirling Silliphant, David Goodis.


Who is the director of the film Nightfall (1956)?
The director(s) of the film Nightfall (1956) is/are Jacques Tourneur.


Which awards, nominations and recognitions are won by Nightfall (1956) movie?
Movie Nightfall (1956) has N/A awards and nomination in it's profile.


What is the story of Nightfall (1956) in-short?
Short plot of movie Nightfall (1956): Through a series of bizarre coincidences, an artist finds himself falsely accused of bank robbery and murder and is pursued by the authorities and the real killers..


What is the full story of Nightfall (1956) movie?
Full plot of movie Nightfall (1956): There is money missing from a bank job, an attractive model, an insurance investigator, and two extremely dangerous thugs. James Vanning (Aldo Ray) portrays an innocent man on the run, being pursued by the criminals who stupidly misplaced their take from the crime and think he has it or knows where it is hidden. Add model Marie Gardner (Anne Bancroft) who crossed paths with nice guy Vanning, while he is on the run. This all adds up to a thriller wherein the viewer is drawn into the story and becomes part of the drama. When Marie says "things that really happen are difficult to explain" it captures the theme of this film. A nice girl helps a nice guy, who is innocent and is drawn into the drama. As tension mounts she says: "I am always meeting the wrong man, and it leads to doomed relationships." Marie inadvertently leads Vanning into the hands of the villains. However, she is a pseudo-femme fatale, innocently involved in the intrigue and, like the viewer, is gradually drawn into the plot. Beside one of the more chilling murder scenes for that era, the film has a three part flashback, which takes the viewer from a cityscape and menacing oil wells to the snow-covered plains of Wyoming and back to the streets of Hollywood. The interplay of high contrast images makes it worth seeing, but the story keeps the viewer engaged..


Where to find full details of Nightfall (1956) movie?
You can find the full details of movie Nightfall (1956) at https://www.imdb.com/title/tt0049552


Where to stream or watch movie Nightfall (1956) online?
You can stream or watch online movie Nightfall (1956) on Horizon, .


List of full Starcast and crew members of Nightfall (1956)

Full Starcast:

profie photo of Aldo RayName: Aldo Ray
Character: James Vanning / Art Rayburn

profie photo of Brian KeithName: Brian Keith
Character: John

profie photo of Anne BancroftName: Anne Bancroft
Character: Marie Gardner

profie photo of Jocelyn BrandoName: Jocelyn Brando
Character: Laura Fraser

profie photo of James GregoryName: James Gregory
Character: Ben Fraser

profie photo of Frank AlbertsonName: Frank Albertson
Character: Dr. Edward Gurston

profie photo of Rudy BondName: Rudy Bond
Character: Red

profie photo of Bess FlowersName: Bess Flowers
Character: Woman at Fashion Show

profie photo of Gene RothName: Gene Roth
Character: Bartender

Crew Members:

profie photo of Burnett GuffeyName: Burnett Guffey
Department: Camera
Job/Role: Director of Photography

profie photo of Stirling SilliphantName: Stirling Silliphant
Department: Writing
Job/Role: Writer

profie photo of Jacques TourneurName: Jacques Tourneur
Department: Directing
Job/Role: Director

profie photo of Jean LouisName: Jean Louis
Department: Costume & Make-Up
Job/Role: Costume Design

profie photo of George DuningName: George Duning
Department: Sound
Job/Role: Original Music Composer

profie photo of David GoodisName: David Goodis
Department: Writing
Job/Role: Novel

profie photo of Ted RichmondName: Ted Richmond
Department: Production
Job/Role: Producer

profie photo of William A. LyonName: William A. Lyon
Department: Editing
Job/Role: Editor

Movie Posters and Wallapapers - Nightfall (1956)

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Reviews Section

rated 3 out of 5
June 23, 2021

By Kim Morgan filmnoiroftheweek.com “This is what they call the point of no return my friend.” Nightfall is a work of striking juxtapositions and tones that by picture end, come off like a wonderfully disarming person—you’re charmed, even a bit disturbed, but you’re not sure what to make of it all. It opens at night, in the neon lit, Los Angeles jungle shimmering with welcoming Hollywood haunts like Miceli’s, Firefly and Musso and Frank and ends within the blinding white snow of the more foreboding Wyoming Wilderness. It pits an older doctor and his much younger, artist friend against two thugs, one an over-eager, violence-lusting psychopath and the other a casual, smarter killer whose relaxed approach borders on the likable. It features a chic fashion show with a modern looking Anne Bancroft as a “mannequin” followed by a cuddly rural bus ride during which the lovers express their romantic feelings after waking up to (decidedly non chic) whiskers. There’s cruel violence committed against good Samaritans mixed with quippy one liners and a surprising amount of dark humor. And did I mention Anne Bancroft falls in love with Aldo Ray? They seem mismatched, but then, perfect together—and their moments are exceptionally romantic. In short, Nightfall is a trip. But a great trip, and a noteworthy addition to noir innovator Jacques Tourneur’s oeuvre (which includes, among other splendid pictures, the horror/noir classics Cat People and I Walked With a Zombie and his key noir, Out of the Past). Adapted by Stirling Silliphant from hard boiled writer David Goodis's 1947 novel and brilliantly shot by Burnett Guffey (who also shot Nicholas Ray’s masterpiece In a Lonely Place and Arthur Penn’s ingenious Bonnie and Clyde),the picture is considered by some, a minor film noir, something that’s always baffled me. Made in the later cycle of the genre (released in 1957), the picture skillfully weaves a convoluted story, harsh violence, existential angst, naturalistic acting and sweet romanticism without ever feeling forced. And as stated earlier—it’s very funny—something Tourneur always intended. And though the theme song seems a bit overheated (Al Hibbler crooning “Nightfall…and you!”—a tune that really ought to grace a Ross Hunter production) even that works when looking at the film in its entirety. Akin to the startling laughs spiking the movie, it echoes Tourneur’s own sly sense of humor. The story is structured much like Out of the Past, with our hero (who's not guilty, unlike Mitchum), Rayburn Vanning (Ray) relating his complicated story to a woman. Only in this instance, the lovely lady, Marie Gardner (Bancroft), is a bit confused. Pulling a damsel in distress act for the benefit of two thugs waiting to jump Ray (she thought they were police officers after a wanted man), she sets up the poor lug. Vanning is then accosted by Red (Rudy Bond) and John (Brian Keith) and taken to a deserted oil derrick (an unsettling yet weirdly amusing scene) where he’s set to be tortured. They want to know where that money’s hidden, something Vanning continually states he doesn’t know. Vanning escapes, finds his way to Marie’s apartment and gives her the skinny. Or rather, the thick skinny. He explains the convoluted predicament that’s left him understandably paranoid. While on a pleasant camping trip in Jackson Hole, Wyoming with best friend Dr. Edward Gurston (Frank Albertson) in which the two men will hunt, and in a more uncomfortable moment, near the sticky subject of Doc’s much younger wife (whom we learn later has a thing for Vanning and sent him letters saying so). The conversation is cut short when a car crashes off an embankment and two shady characters (Red and John), emerge. Doc fixes John’s arm but they soon realize they're unlucky witnesses (the men just robbed a bank). Almost shockingly, Doc is shot dead and Vanning is left injured. The crooks blaze off, only, they make an enormous mistake—they grab the doctor’s bag instead of their own bag of money. Vanning is able to rise from his injury, hide the dough and take off. Moving from town to town under suspicion that he killed Doc, Vanning ends up in Los Angeles, where he’s being tailed by insurance investigator Ben Fraser (James Gregory) who confesses to his wife that Vanning just doesn’t seem the type. And as played by Aldo Ray—he doesn’t seem the type. One of the more striking aspects to Nightfall is its casting, and the barrel-chested, thick necked Ray, who was a natural born actor (watch his first and largely unschooled leading role in George Cukor’s The Marrying Kind and you’ll see how immediately gifted the man was. Also in Anthony Mann’s brilliant Men in War). Ray is the perfect good guy in-over-his- head. With his raspy voice, yet boyish appeal (he looked like he literally walked off a football field, which is why Cukor made him take ballet before The Marrying Kind) Ray always exuded a different kind of mystery than say, Mitchum or Ryan or Widmark—men who rarely appeared “normal.” Ray, an ex Frogman who fought in Iwo Jima, was a brawny man’s man certainly, but he always looked to be hiding a secret. That inside he had the soul of a poet or artist—a man of depth beyond his tough exterior. And so, appropriately, in Nightfall, he’s an artist. Brian Keith is another standout and like Ray, an actor I always wished was my father (and not merely for the TV show Family Affair). He’s so agreeable here—and his delivery manages to be both distracted and pithy rather than rat-a-tat. When he humorously claims that Red’s homicidal kicks stem from his lack of childhood play (“When Red was a kid they didn’t have enough playgrounds. He’s sort of an adult delinquent.”) he’s both revelatory and teasing. And his banter towards Red is cleverly berating: “The top of your head never closed up when you were a kid. Neither did your mouth.” Cracking wise with Red, the two spar like men who are ready to kill each other, but also who are simply getting on each other’s nerves (preceding some of Tarantino’s talky criminals). But talking aside, deadlier fates await them including a fatal gunshot and death by snowplow. And wild, almost ridiculous fate was something Tourneur excelled at, not surprisingly. Based on the bizarre treatment at the hands of his filmmaker father, Tourneur developed a dark sense of the absurd. As written in John Wakemen’s “World Film Directors Vol. 1 1890-1946,”Tourneur believed that the childhood he endured—one of “grotesque punishment” lied at the root of his cinematic obsessions. Relating that he was sent to a poor school and teased unmercifully for his square suspenders, Tourneur claimed: “I think this is what prompted me to introduce comic touches into the dramatic moments of my films…Mixing fear and the ridiculous can be very exciting.” Indeed. As Red can’t wait to torture a terrified Vanning, he sinisterly and bizarrely sings: “The tougher they are the more fun they are tra-la.”


-- Steve

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